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The top 10 post-apocalyptic books of all time.

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Ordered from 10 to 1 below based on your votes, this week we've got your top 10 choices for best post-apocalyptic sci-fi books of all time.

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10. The Postman by David Brin

He was a survivor–a wanderer who traded tales for food and shelter in the dark and savage aftermath of a devastating war.  Fate touches him one chill winter's day when he borrows the jacket of a long-dead postal worker to protect himself from the cold.  The old, worn uniform still has power as a symbol of hope, and with it he begins to weave his greatest tale, of a nation on the road to recovery.

Rounding out the top 10 list is “The Postman” by David Brin. This is the story of a lie that became the most powerful kind of truth.  A timeless novel as urgently compelling as War Day or Alas, Babylon (which also made this list), David Brin's The Postman is the dramatically moving saga of a man who rekindled the spirit of America through the power of a dream, from a modern master of science fiction.


9. The Road by Cormac McCarthy

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.”

At number 9, Pulitzer Prize winning novel The Road by Cormac McCarthy is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other's world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.


8. Farnham's Freehold by Robert Heinlein

“Farnham is a self-made man who sees nuclear war coming and who builds a shelter under his house; only to find it thrust into a strange universe when the bomb explodes. In this future world all civilization in the northern hemisphere has long been destroyed, and Farnham and his family are fit to be slaves under the new regime.”

Heinlein's story is as engrossing now as it was in its original form decades ago. In it, a nuclear holocaust throws a brave and tough-minded family into a future where they are considered traitors and sub-humans and where they must fight tooth-and-claw to avoid becoming slaves to the benighted survivors of the war.


7. Alas, Babylon by Pat Frank

“Alas, Babylon.” Those fateful words heralded the end. When a nuclear holocaust ravages the United States, a thousand years of civilization are stripped away overnight, and tens of millions of people are killed instantly. But for one small town in Florida, miraculously spared, the struggle is just beginning, as men and women of all backgrounds join together to confront the darkness.”

Coming in at #7, “Alas, Babylon,” is a harrowing, human story published 50 years ago, in 1959. The novel, set in a small Florida town after a nuclear attack on the United States, was an instant hit. It’s been reprinted many times; it’s found on high school reading lists; and it’s invariably put high on lists of the best post-apocalyptic fiction – including this one.


6. The War of the Worlds by H.G. Wells

“Shortly after astronomers observe explosions on the surface of Mars, meteor-like objects begin crashing into Earth. Martians emerge from their craters in large tripods, wiping out army units with heat-rays as they roam the English countryside. When the order is given to evacuate London, all seems lost. But there is one minor detail that the Martians did not plan for.”

H. G. Wells is credited with the popularisation of time travel in 1895 with The Time Machine, introducing the idea of time being the “fourth dimension” a decade before the publication of Einstein’s first Relativity papers. In 1896, he imagined a mad scientist creating human-like beings from animals in The Island of Doctor Moreau, which created a growing interest in animal welfare throughout Europe. In 1897 with The Invisible Man, Wells shows how a formula could render one invisible, recognizing that an invisible eye would not be able to focus, thus rendering the invisible man blind. With The War of the Worlds in 1898, Wells established the idea that an advanced civilization could live on Mars, popularising the term ‘martian’ and the idea that aliens could invade Earth.


5. Fahrenheit 451 by Ray Bradbury

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. 

Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.” But then he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television. 

When Mildred attempts suicide and Clarisse suddenly disappears, Montag begins to question everything he has ever known. He starts hiding books in his home, and when his pilfering is discovered, the fireman has to run for his life.”

Coming in at #5, Ray Bradbury’s internationally acclaimed novel Fahrenheit 451 is a masterwork of twentieth-century literature set in a bleak, dystopian future. 


4. A Canticle for Leibowitz by Walter M. Miller, Jr

Down the long centuries after the Flame Deluge scoured the earth clean, the monks of the order of St. Leibovitz the Engineer kept alive the ancient knowledge. In their monastery in the Utah desert, they preserved the precious relics of their founder: the blessed blueprint, the sacred shopping list and the holy shrine of fallout shelter.

Watched over by an immortal wanderer, they witnessed humanity's rebirth from ashes, and saw reenacted the eternal drama of the struggle between light and darkness, life and death.”

Coming in at #4, “A Canticle for Leibowitz” was one of the first novels to escape from the science-fiction ghetto and become a staple of high-school reading lists. Its legacy can be seen in the works of Gene Wolfe, Margaret Atwood, and many other speculative-fiction authors who came after him, as well as in the current flood of end-of-the-world novels, TV shows, and movies.


3. Childhood's Ends by Arthur C. Clarke

In the near future, enormous silver spaceships appear without warning over mankind's largest cities. They belong to the Overlords, an alien race far superior to humanity in technological development-and their purpose is to dominate the Earth. Their demands, however, are surprisingly beneficial-end war, poverty, and cruelty. Their presence, rather than signaling the end of humanity, ushers in a golden age-or so it seems.”

Originally published in 1953, Childhood's End is Clarke's first successful novel-and is considered a classic of science fiction literature. Its dominating theme of transcendent evolution appears in many of Clarke's later works, including the Space Odyssey series. In 2004, the book was nominated for the Retro Hugo Award for Best Novel.


2. Lucifer's Hammer by Larry Niven and Jerry Pournelle

In this bestselling novel by the authors of THE MOTE IN GOD'S EYE, a massive comet breaks apart and bombards the Earth, with catastrophic results: worldwide earthquakes, volcanic eruptions, thousand-foot tidal waves and seemingly endless rain… With civilization in ruins, individuals band together to survive and to build a new society.”

Published in 1977, Lucifer's Hammer, #2 on our list, was the first major science fiction novel to try to deal realistically with the planetary emergency of an impact event. It plumbs those depths of fascination on an epic scale, rewarded at the time with sales far beyond the normal expectations of the genre.


1. The Stand by Stephen King

“This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death.

And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides — or are chosen. A world in which good rides on the frail shoulders of the 108-year-old Mother Abigail — and the worst nightmares of evil are embodied in a man with a lethal smile and unspeakable powers: Randall Flagg, the dark man.”

Coming in at #1 is Stephen King'sThe Stand, the novel that is now considered to be one of his finest works. But as it was first published, The Stand was incomplete, since more than 150,000 words had been cut from the original manuscript.

Now Stephen King's apocalyptic vision of a world blasted by plague and embroiled in an elemental struggle between good and evil has been restored to its entirety. The Stand : The Complete And Uncut Edition includes more than five hundred pages of material previously deleted, along with new material that King added as he reworked the manuscript for a new generation. It gives us new characters and endows familiar ones with new depths. It has a new beginning and a new ending. What emerges is a gripping work with the scope and moral comlexity of a true epic.

For hundreds of thousands of fans who read The Stand in its original version and wanted more, this new edition is Stephen King's gift. And those who are reading The Stand for the first time will discover a triumphant and eerily plausible work of the imagination that takes on the issues that will determine our survival.


Well, what do you think of that list? Do you agree, or do you feel as though your most-loved book is missing/didn't place as you think it deserved? Feel free to join us here in our Facebook group to chime in on the debate, and then check out our most recent poll while you're there. Don't have Facebook? Feel free to add to the comments below.

*All book-related text in this post was pulled from Amazon.

Review: The Day of the Triffids

I’m a huge fan of Science Fiction, particularly post-apocalyptic fiction, and think I’ve read the best the genre has to offer. That said, I always bypassed one book on assumptions that were to be proved wrong, and I guess others have made the same mistake.

I knew about The Day of the Triffids by John Wyndham long before I eventually picked it up to read. A clunky television adaptation sticks in my mind from childhood and a couple of recommendations from friends who I flatly ignored. I told myself, “Plants taking over the world is silly. How can it be anything other than a glorified B-movie?” I even checked the cover on Amazon to confirm my unfounded suspicions. Of course, this cosy catastrophe is far beyond the short pulpy description I had in my mind and after a few pages I was hooked.

Triffids

The first person narrator, Bill Masen, is a triffidologist who works with the carnivorous plants. The story begins with him in hospital after his eyes were splashed by triffid poison. He misses a beautiful green meteor shower due to his bandages, and avoided suffering blindness like the majority of the population. From here, with humans at a disadvantage, the triffids take advantage of the upended natural balance and attack. The opening scene in the hospital is definitive and has echoed through subsequent apocalyptic fiction, notably the film 28 Days Later and the TV show The Walking Dead.

28 Days

The book was originally published in 1951 and its old charm and quaint language immediately grabbed me. Masen sees a doctor dive head first out of a window and his immediate reaction is to light a cigarette. When he eventually makes it out of the hospital, his first port of is to a local pub for a stiff drink. He’s also unsure about the origin of triffids but suspects they were engineered by the Soviet Union.

There’s a wonderful section where Masen wanders through central London and witnesses the full impact as society unravels into chaos, particularly a part where he meets a blind man who is happy at the turn of events. The man suffered from the disability before the shower and now feels his parity in the world restored.

Masen saves a woman who also retained her sight, a successful novelist called Josella Playton, from a man who is forcing her to be his guide. Playton missed the meteor shower while at a wild party and they immediately strike up a friendship that is central to the story. They discover a group of survivors planning on heading for the countryside to build a stronghold and decide to join them. This isn’t an A to B bullet-fest where our hero has smart quips or rescues damsels in distress. The story takes a sober look at how a group tackles the problems of surviving in a world that is increasingly not their own, and some of the village scenes outside London are a tremendous throwback to a quieter era.

Walking Dead

As Wyndham leads Masen through the events, he gives an interesting insight into human behaviour, how different people reacted under extreme circumstances, some good, some bad, and some misguided. The lifecycle of events is logical and well treated as triffids slowly take over the nation and hunt for survivors, increasing in number and surrounding any safe haven. I also enjoyed the philosophising around the future of humanity by various characters, particularly Coker at Tynsham on the changing role of people and the roles that both sexes needed to adapt in order to survive.

Without giving away spoilers, the book has a satisfying conclusion and gives the remaining characters hope for the future. I highly recommend it anyone who loves post-apocalyptic fiction and hasn’t read it yet, happily admit that I got this one wrong for years, and nearly missed out on a genre-defining classic.

 


 

Darren Wearmouth spent six years in the army before pursuing a career in corporate technology. After fifteen years working for large telecommunications firm and a start-up, he decided to follow his passion for writing. His first novel was the best-selling First Activation that he later sold to Amazon‘s publishing imprint, 47North in a two-book deal. Darren is a member of the International Thriller Writers Group and the British Science Fiction Association, and currently lives in Manchester, England.

 

Science, Progress, and Science Fiction

As a novelist I often get categorized as a ‘hard’ science fiction writer, which I’ve never been entirely certain fit because I absolutely make use of the customary handwavium and even the occasional Unubtanium. Of course, I do try to at least explain my speculative technologies within the framework of real scientific hypotheses and theories… and that is where things can get sticky by times.

For your average reader in most genres, cutting edge research isn’t on their daily reading list. That’s just not the case in Science Fiction, however. Scifi readers tend to enjoy science, at least the knowledge of it, just as much as they enjoy science fiction. And that’s awesome, but it does make for interesting times as an author because science advances, and does so quickly, so sometimes your brilliant (or just acceptably clever) scientific plot point can be turned into fantasy magic overnight by some PhD at Cern or other research facility.

Ok, by this point it sounds like I’m complaining about science ruining my novels.

Not even close.

When you’re writing speculative works, you have to expect that some (most) of your speculations will be wrong. That’s just par for the course unless you happen to be a PhD with access to billions of dollars’ worth of equipment and a series of theories that you’ve, for some reason, not already put out to your peers.  If you’re that guy, I have to question your priorities.

Still, it can be jarring to have something you specifically wrote about be chucked out by scientists, even if you knew it was coming anyway. It’s happened three or four times over my time as a writer, and each time I go through the same stages of response.

First, there is the automatic face palm.

Yeah, that moment where you’re just grateful that you weren’t drinking anything when you found out, otherwise you know you’d have a mess to clean up. Your brain goes immediately to the vilest epithets you can imagine which, for me, is usually something out of Bugs Bunny… (Don’t judge me.)

Thankfully that only lasts for a few seconds because, hey, this is the game we play and we play it because we love it. Any advance in science is good for science fiction. When a door closes, a dozen others unlock, because that’s just how huge the universe is. Maybe someday we’ll know so much about how things work that every theory that’s disproven somehow makes the universe smaller, but that day isn’t going to be today.

So that brings us to the second stage, the question of whether we can adjust the story to work. This is an important question, particularly if the story is currently ongoing. If we’re working on a series and we know that there will be another novel coming out, or more perhaps, then we have to decide if we’re going to stay in our, now ‘fantasy’ world, or try and wrench the laws of physics back to reality as we’d like to know them.

Sometimes this is easy, especially with cutting edge theories. Quantum Mechanics is such that you can bury a lot of crimes in the uncertainty of String or M-Theory. Sometimes, though, it can’t be done without retroactively messing with novels you’ve already written and, quite likely, other people already love.

Don’t DO that.

It’s better to write fantasy than mess with the stuff people already love.

Ok, maybe it’s a close call… I mean, it is Fantasy and all. (I’m kidding! Relax, I like fantasy, just making a point about so called hard science fiction here.)

So we finally get to the third stage, Acceptance.

Yeah, we get there faster than for stages of grief, but we’re science fiction types. We’re just awesome that way.

Whether you’ve managed to fix the problem, or you’ve decided that it can go play in the Elysian Fields for all you care, it’s time to put it aside and go back to writing.

After several times through this process, I have to admit that I look forward to it now. Being proven wrong, even when it was relatively obvious, is fun. It means that you’re working with real ideas that real people are also tangling with in the real world. Even being wrong is awesome because of that connection to actual research.

We’re science fiction fans, all of us, and that connection with the cutting edge is what drives us just as much as the ancient link to the story construction itself. We care about both the future and the past, so science fiction connects both the cutting edge world we live in and the oldest art we know of…

Storytelling.


 

Evan Currie has been writing both original and fan fiction works for more than a decade, and finally decided to make the jump to self-publishing with his techno-thriller Thermals.

Since then Evan has turned out novels in the Warrior's Wings series, the Odyssey One series, and the first book in an alternate history series set during the height of the Roman Era. From ancient Rome to the far flung future, Evan enjoys exploring the possibilities inherent when you change technology or culture.

In his own words, “There's not much I can imagine better than being a storyteller.”

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