Entries by Daniel Arenson

The Pioneers of Imagination:The First Science Fiction Stories Ever Written

Science fiction—with its fantastical tales of futuristic worlds, advanced technology, and otherworldly beings—has captured the human imagination for centuries. But where did this genre originate? And what were the first science fiction stories ever written? Today, we delve into the early roots of science fiction and explore some of the pioneering works that laid the foundation for this genre's enduring popularity.


1. "The Epic of Gilgamesh" (circa 2100 BC)

One of the earliest known works of speculative fiction can be found in The Epic of Gilgamesh, an ancient Mesopotamian poem dating back to the 21st century BC. While not a conventional sci-fi story, it contains elements of the genre. The tale follows the adventures of Gilgamesh, a Sumerian king, and his companion Enkidu, as they encounter gods, monsters, and a quest for immortality. The presence of gods and fantastical creatures in a historical setting can be seen as early examples of speculative fiction.


2. True History (circa 2nd century AD)

Lucian of Samosata, a Greek satirist and author, wrote True History in the 2nd century AD. This work is often considered one of the earliest examples of science fiction, even integrating space travel. Lucian's narrative involves a journey to the moon, where the protagonist encounters bizarre alien creatures, including giant insects and moon-men. True History is characterized by its playful satire and imaginative storytelling, making it a precursor to modern science fiction.


3. "Somnium" (1634)

Written by Johannes Kepler, the renowned German mathematician and astronomer, Somnium is a groundbreaking work in early science fiction. This fictional tale describes a voyage to the moon and explores the lunar environment, complete with lunar inhabitants. Kepler's story is notable for its scientific accuracy and pioneering vision of space travel. Some scientists and science fiction writers—including Carl Sagan and Isaac Asimov—consider Somnium to be the first true science fiction novel.


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4. "The Blazing World" (1666)

Margaret Cavendish, the Duchess of Newcastle, authored The Blazing World in 1666, making her one of the first female science fiction writers. The novel is set in a parallel universe accessible through the North Pole and features a world inhabited by sentient creatures and advanced technology. Cavendish's work challenges societal norms and showcases her imaginative prowess.


5. Frankenstein" (1818)

Mary Shelley's Frankenstein; or, The Modern Prometheus, is often regarded as one of the earliest and most influential science fiction novels. Published in 1818, the story explores themes of ethics, creation, and the consequences of scientific experimentation. Shelley's portrayal of Victor Frankenstein's creation of a humanoid creature remains a seminal work in the genre.


The origins of science fiction can be traced back to ancient myths, satirical writings, and early scientific speculations. These pioneering authors, from Lucian to Mary Shelley, paved the way for the rich and diverse world of science fiction we know today. Their imaginative stories continue to inspire generations of writers, scientists, and dreamers, reminding us that the boundaries of human creativity and exploration are limitless.

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Our Favorite Starships in Science Fiction

Science fiction is known for many things: robots, aliens, distant planets, and high-tech gadgets. But perhaps more than anything, starships define the genre. Countless starships have flown in sci-fi movies, shows, and books. Here are some of our favorites. What are yours?


Millennium Falcon (Star Wars)

The Millennium Falcon, an iconic starship from the Star Wars universe, is a legendary vessel renowned for its distinctive appearance and storied history. The Falcon is a highly modified Corellian YT-1300 light freighter, expertly piloted by the charismatic Han Solo and his loyal Wookiee co-pilot, Chewbacca. With its battered exterior and seemingly haphazard modifications, the Falcon may not appear impressive at first glance. However, it boasts remarkable speed and maneuverability, making it a formidable force in the galaxy. This legendary starship has played a crucial role in numerous daring escapades and epic battles, solidifying its status as a beloved symbol of adventure and rebellion in a galaxy far, far away.


USS Enterprise (Star Trek)

The USS Enterprise, a legendary starship from the Star Trek franchise, stands as a symbol of exploration, diplomacy, and the boundless potential of humanity. As the flagship of Starfleet, the Enterprise represents the pinnacle of human achievement and collaboration. Its sleek design and iconic saucer-shaped primary hull have become instantly recognizable, while its advanced technology, including warp drive and a wide array of scientific instruments, enables the crew to boldly go where no one has gone before. Captained by remarkable leaders like James T. Kirk and Jean-Luc Picard, the Enterprise embarks on daring missions, encountering new civilizations, and embodying the optimistic vision of a future where humanity strives for knowledge, understanding, and peaceful coexistence throughout the vastness of space.


TARDIS (Doctor Who)

The TARDIS, a remarkable time machine and spacecraft from the beloved Doctor Who series, is an enigmatic and captivating vessel. Disguised as a humble blue British police box on the outside, the TARDIS defies expectations with its vast interior that transcends the boundaries of space and time. With its ability to traverse the universe, the TARDIS allows the Doctor, a Time Lord, and their companions to embark on thrilling adventures across different eras and worlds. It possesses a sentient nature, adapting to the Doctor's needs and occasionally having a mind of its own. The TARDIS remains an iconic symbol of the Doctor's eternal wanderlust and their mission to protect the fabric of time while imparting wisdom and compassion to those they encounter along the way.


Serenity (Firefly)

The Serenity, a captivating starship featured in the science fiction series Firefly, is a vessel that embodies resilience and the spirit of freedom. A Firefly-class spaceship, the Serenity serves as a home and sanctuary for a diverse group of renegades and misfits, led by the resourceful Captain Malcolm Reynolds. With its weathered exterior and versatile design, the Serenity navigates the ragged edges of space, engaging in smuggling and mercenary work to survive in a universe plagued by political unrest. Beyond its physical attributes, the ship fosters a sense of camaraderie and loyalty among its crew as they navigate their way through the complexities of the 'Verse. The Serenity stands as a symbol of independence and hope, carrying its crew on daring escapades while showcasing the enduring human spirit in the face of adversity.


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Nostromo (Alien)

The Nostromo, a colossal commercial towing vehicle from the science fiction film Alien, is an imposing and atmospheric vessel that serves as the backdrop for a terrifying cosmic encounter. A utilitarian and functional spacecraft, the Nostromo exudes an industrial aesthetic with its sprawling corridors, dimly lit interiors, and labyrinthine design. Crewed by a diverse group of individuals, the ship embarks on a routine mission that takes a harrowing turn when they unwittingly stumble upon a deadly extraterrestrial life form. The Nostromo becomes a claustrophobic and eerie setting, intensifying the sense of isolation and vulnerability as the crew battles for survival against an insidious and relentless adversary. With its haunting ambiance and hauntingly realistic portrayal, the Nostromo adds a palpable sense of dread and suspense to the iconic Alien franchise.


Battlestar Galactica (Battlestar Galactica)

The Battlestar Galactica, a formidable starship from the reimagined Battlestar Galactica series, stands as a symbol of resilience and hope in the face of devastation. As the last surviving warship of the Twelve Colonies, the Battlestar Galactica leads a fleet of human survivors in a desperate search for a new home. Its weathered and battle-scarred exterior reflects the immense trials it has endured throughout the war with the Cylons, a race of sentient robots. Manned by a diverse crew, including skilled pilots and resourceful leaders, the Galactica represents humanity's tenacity and determination in the fight against extinction. Operating on aging technology and armed with both conventional and unconventional weaponry, the ship becomes a beacon of resistance and a sanctuary for those seeking solace in an unforgiving universe. The Battlestar Galactica serves as a testament to the unshakeable soul of humanity and the will to survive against overwhelming odds.


Heart of Gold (The Hitchhiker's Guide to the Galaxy)

The Heart of Gold, a whimsical starship from Douglas Adams' The Hitchhiker's Guide to the Galaxy, is a vessel that defies the conventional laws of space and time. Acquired by the eccentric Zaphod Beeblebrox, The Heart of Gold is equipped with the extraordinary Infinite Improbability Drive, allowing it to traverse the universe in the most improbable and absurd ways imaginable. Its sleek and gleaming exterior, adorned with sleek lines and a striking design, belies the ship's outlandish capabilities. Inside, the Heart of Gold boasts lavish and luxurious interiors, complete with mind-boggling amenities and advanced technology. As it journeys through the cosmos, the ship serves as a source of wonder and humor, encapsulating the offbeat and whimsical nature of the universe in which it resides. The Heart of Gold stands as a delightful symbol of unpredictability, adventure, and the absurdity that permeates the world of The Hitchhiker's Guide to the Galaxy.


The Razor Crest (The Mandalorian)

The Razor Crest, a rugged and versatile starship from the television series The Mandalorian, is the epitome of resourcefulness and resilience in the Star Wars galaxy. Piloted by the enigmatic bounty hunter known as Din Djarin, or "The Mandalorian," the Razor Crest is a modified gunship that exudes a worn yet formidable charm. Its weathered exterior, marked by battle scars and the wear of countless missions, reflects the harsh life of a lone warrior. Equipped with a range of advanced weaponry and a hidden cargo hold, the Razor Crest serves as a reliable sanctuary and means of transport for the Mandalorian and his precious charge, Grogu. With its ability to endure perilous journeys through treacherous terrain and dangerous encounters, the Razor Crest embodies the indomitable spirit of its pilot, standing as a symbol of resilience in the unforgiving Star Wars universe.


Moya (Farscape)

Moya, a magnificent Leviathan bio-mechanical spacecraft from the science fiction series Farscape, is a vessel that personifies both beauty and compassion in a vast and chaotic universe. Unlike traditional starships, Moya is a living creature capable of independent thought and emotion. She serves as a sanctuary and home to a diverse group of escaped prisoners who form an unlikely family. With her awe-inspiring size and graceful movements, Moya navigates through space, guided by her symbiotic relationship with her crew. She possesses a gentle and nurturing nature, offering refuge and support while navigating the perils of uncharted territories. Moya's unique abilities, such as starburst propulsion and her ability to birth other Leviathans, make her an extraordinary and revered presence in the Farscape universe. As the crew's protector and companion, Moya represents the enduring power of unity, trust, and compassion amidst a cosmos filled with uncertainty and danger.


Close Encounters: Top 10 First Contacts in Science Fiction

Since the dawn of science fiction, writers have been fascinated by the idea of humanity’s first contact with extraterrestrial beings. This fascination birthed a whole genre of books and movies, with works running the gamut from thrilling adventure to profound philosophical exploration, the finest, skillfully capturing the imagination of audiences around the world. Today, we delve into the top 10 first contact stories in science fiction, exploring the diverse ways in which authors and filmmakers have envisioned our earliest interactions with beings from beyond the stars.


Contact by Carl Sagan (1985)

Carl Sagan's seminal novel Contact follows the journey of scientist Dr. Ellie Arroway as she makes contact with an extraterrestrial civilization through radio signals. Sagan's meticulous attention to scientific detail and his exploration of the implications of first contact make this a thought-provoking and deeply philosophical work.

Read Contact here on Amazon. Also available on audiobook. 


The War of the Worlds by H.G. Wells (1898)

H.G. Wells' classic novel War of the Worlds  is perhaps the quintessential tale of alien invasion. Set in Victorian England, the story follows humanity's desperate struggle against technologically superior Martians. Without a doubt, Wells' vivid descriptions of the alien invaders and their destructive machines have left an indelible mark on the genre.

Read War of the Worlds here on Amazon. Also available on audiobook. 


"Arrival" directed by Denis Villeneuve (2016)

In this thought-provoking film (based on the Nebula winning novella Stories of Your Life by Ted Chiang), linguist Dr. Louise Banks is tasked with deciphering the language of an alien species that has arrived on Earth. As tensions mount between humanity and the visitors, Banks races against time to unravel the mysteries of their language and understand their true intentions.

Watch Arrival here on Amazon Prime.

Read Stories of Your Life here on Amazon. Also available on audiobook.


Childhood's End by Arthur C. Clarke (1953)

Arthur C. Clarke's thought provoking classic Childhood's End explores the consequences of humanity's encounter with a peaceful and enigmatic alien race known as the Overlords. As the Overlords usher in a new era of peace and prosperity on Earth, questions arise about the price of progress and the nature of humanity's destiny.

Read Childhood's End here on Amazon. Also available on audiobook.


"Close Encounters of the Third Kind" directed by Steven Spielberg (1977)

Steven Spielberg's iconic film follows the experiences of ordinary people who have close encounters with UFOs. As the government investigates these sightings, one man becomes obsessed with uncovering the truth behind the mysterious encounters, leading to a breathtaking finale at Devil's Tower.

Watch Close Encounters of the Third Kind here on Amazon Prime.


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The Left Hand of Darkness by Ursula K. Le Guin (1969)

Ursula K. Le Guin's groundbreaking novel explores themes of gender, identity, and cultural exchange through the story of an envoy from Earth who visits the planet Gethen, inhabited by an androgynous and ambisexual alien species. As the envoy navigates the complexities of Gethenian society, he challenges his own preconceptions about gender and sexuality.

Read The Left Hand of Darkness here on Amazon.  Also available on audiobook.


"Independence Day" directed by Roland Emmerich (1996)

In this blockbuster film, Earth faces an all-out assault from a hostile alien race bent on the annihilation of humanity. As cities crumble and nations unite in a desperate fight for survival, a disparate group of individuals must come together to launch a daring counterattack against the alien invaders.

Watch Independence Day here on Amazon Prime.


Solaris by Stanisław Lem (1961)

Stanisław Lem's philosophical novel Solaris tells the story of a psychologist sent to investigate strange occurrences on a distant space station orbiting the mysterious planet Solaris. As the psychologist grapples with the manifestations of his own inner demons, he confronts the profound mysteries of the alien intelligence that dwells beneath Solaris' surface.

Available here in paperback. Also available in audiobook.


District 9 directed by Neill Blomkamp (2009)

In this gritty and thought-provoking film, humanity grapples with the arrival of a stranded alien spaceship and its insectoid inhabitants in Johannesburg, South Africa. As tensions between humans and aliens escalate, one man finds himself transformed by his encounters with the extraterrestrial visitors, leading to a reckoning with his own humanity.

Watch District 9 here on Amazon Prime.


The Three-Body Problem by Liu Cixin (2008)

Liu Cixin's epic novel The Three-Body Problem explores humanity's first contact with an alien civilization known as the Trisolarans. As Earth prepares for an inevitable invasion, scientists and government officials grapple with the implications of the Trisolarans' advanced technology and their enigmatic motivations.

Read The Three-Body Problem here on Amazon. Also available on audiobook.


From awe-inspiring tales of wonder to chilling visions of cosmic horror, first contact stories reflect our deepest hopes, fears, and aspirations. Whether exploring the mysteries of the universe or holding a mirror to the complexities of human nature, these works continue to inspire, and to provoke thought, and invite audiences to contemplate the possibilities and our place in the cosmos.

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Science Fiction Technologies That Became a Reality

Throughout our history, science fiction has been a wellspring of inspiration for technological progress. What was once considered purely imaginative has, in many cases, become a reality. From communication devices to advanced medical breakthroughs, science fiction has predicted and influenced the development of various technologies that have changed our world.

Today, we take a look at the transformative impact of science fiction, by exploring some of the remarkable technologies that have transitioned from the realm of fiction into our everyday lives.


Communicators (Star Trek)

One of the most iconic science fiction technologies — the handheld communicators featured in the original Star Trek seriesinspired the development of the modern, now ubiquitous, smartphones. Today, we can communicate effortlessly with people around the globe, gain almost instant access to information on any topic, organize our lives, and perform a myriad of tasks with ease, all courtesy of these devices which fit in the palm of our hands.

Want to check out one of the books inspired by the original Star Trek series? Try Star Trek: The Motion Picture available here on Amazon.
Also available on audiobook.


Voice-controlled Assistants (2001: A Space Odyssey)

Remember the voice-controlled assistant depicted in Stanley Kubrick's 2001: A Space Odyssey? Today, virtual assistants like HAL are everywhere. AI-powered companions such as Apple's Siri, Amazon's Alexa, and Google's Google Assistant respond to voice commands, provide information, perform tasks, and control smart devices.

Read Arthur C. Clarke's classic 2001: A Space Odyssey
here on Amazon. Also available on audiobook.


Tablet Computers (Star Trek: The Next Generation)

The depiction of tablet computers in "Star Trek: The Next Generation" has striking similarities to modern-day tablets like the iPad. These sleek, portable devices with touchscreens allow us to consume media, browse the internet, and engage in productivity tasks from anywhere.

Curious about the books inspired by Star Trek: The Next Generation? Try Encounter at Farpoint
here on Amazon.


Virtual Reality (VR) (Neuromancer)

William Gibson's influential cyberpunk novel Neuromancer introduced the concept of "cyberspace," a virtual reality where users could interact with digital worlds. Today, VR technology immerses us in virtual environments, revolutionizing industries such as gaming, training, and even therapy.

Read William Gibson's Neuromancer
here on Amazon. Also available on audiobook.


Self-Driving Cars (Various)

Science fiction, both in literature and in and films, has long envisioned autonomous vehicles, and they are now becoming a reality. Companies like Tesla, Waymo, and Uber are developing self-driving cars that have the potential to reshape transportation, making it safer, more efficient, and less reliant on human drivers.

Methuselah's Children by the legendary Robert A. Heinlein's was among the earlier sci-fi books to mention autonomous vehicles. Pick it up here on Amazon. Also available on audiobook.


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Bionic Limbs (The Six Million Dollar Man)

The Six Million Dollar Man popularized the idea of bionic limbs, artificial limbs that provide enhanced strength and functionality. Today, we have advanced prosthetics that incorporate robotics and neural interfaces, allowing individuals with limb loss to regain mobility and dexterity.

Alas, Martin Caidin's Cyborg— the book on which The Six Million Dollar Man was based—appears unavailable in ebook format, but those with plenty of extra coin can pick up a secondhand paperback copy of the book here on Amazon. 


Genetic Engineering (Brave New World)

Aldous Huxley's dystopian novel Brave New World explored the concept of genetically engineered individuals. While we haven't reached the extreme level depicted in the book, modern genetic engineering techniques have made strides in areas like gene therapy, personalized medicine, and genetically modified organisms.

Haven't read Aldous Huxley's dystopian classic yet? Dive into Brave New World here on Amazon. Also available on audiobook. 


3D Printing (Various)

The idea of 3D printing, also known as additive manufacturing, has been a recurring theme in science fiction. Today, 3D printers can create objects ranging from small prototypes to complex medical implants and even entire houses, revolutionizing manufacturing and customization capabilities.

Cory Doctorow's Makers is by no means the first mention of 3D printing in sci-fi, and was published after the technology existed, but it imagines the capabilities of said tech to be beyond where it was at the time. Definitely worth a read if you haven't had a chance yet! 

Pick up Makers here on Amazon. 


Augmented Reality (Snow Crash)

Neal Stephenson's novel Snow Crash introduced the concept of augmented reality, where digital information overlays the real world. Now, with applications like Pokémon Go and Snapchat filters, we experience augmented reality through our smartphones, blurring the line between the physical and digital realms.

Read Snow Crash here on Amazon. Also available on audiobook. 


Gesture-based Interfaces (Minority Report)

A futuristic technology depicted in the film "Minority Report" was gesture-based interfaces. Today, we have devices like the Microsoft Kinect and Leap Motion that enable control and interaction through hand and body movements, revolutionizing gaming, virtual reality, and other industries.

Find Philip K. Dick's Minority Report along with other incredible stories here on Amazon. 


Science fiction has and continues to push the boundaries of imagination, inspiring inventors, scientists, and technologists to turn fiction into reality. The ten technologies mentioned above provide just a glimpse of the many science fiction concepts that have become an integral part of our lives. As we continue to explore the realms of science fiction, who knows what other amazing inventions may become reality in the future?

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Five Dinosaurs That Could Kill a T-Rex

Tyrannosaurus rex. The king of dinosaurs. Beloved (and feared) by dinosaur fans around the world. So dreadfully awesome a beast, its bones are rumored to have inspired the legend of the dragon. 

The T-Rex is undisputedly the most famous of all dinos. Since discovery in 1905, the dreaded predator has fascinated us. Brought alive by the magic of film (and the imagination of filmmakers), T-Rex has battled King Kong, fought alongside Optimus Prime, and given Jeff Goldblum a serious run for his money.

When it comes to pop-culture, our enchantment with T-Rex doesn't end there: There is a British glam rock band named after this prehistoric king; take a quick tour of any toy store and you'll find countless T-Rex toys; and, have you seen the inflatable T-Rex costumes all over TikTok? Forget fifteen minutes of fame. Millions upon millions of years running, T-Rex is still all the rage. 

In popular culture, Tyrannosaurus rex is portrayed as the deadliest dinosaur, and undoubtedly, it was a fearsome predator. But was Rexy really the undisputed King of the Cretaceous? The Mistress of the Mesozoic? Maybe not.

There were a number of other formidable dinosaurs, some which would
have struck fear even into the heart of our ferocious T-Rex. Here are five dinosaurs that could (just maybe) kill a T-Rex.


Ankylosaurus

Ankylosaurus

This dinosaur was essentially a living tank. Ankylosaurus was covered with armored plates from head to tail, including—believe it or not—its eyelids! Weighing over three tons, this dinosaur was big, powerful, and deadly. In addition to its suit of armor, Ankylosaurus boasted a terrifying weapon: A bony club that sprouted from its tail, which the dinosaur could swing like a wrecking ball, pulverizing any predator foolhardy enough to attack.

But how would it fare against a T-Rex? For starters, Rexy would for sure have trouble biting through that armor. And Ankylosaurus wouldn't just sit there, letting the T-Rex gnaw away now would he? Not a chance. With a quick whack of its clubbed tail, Ankylosaurus could likely shatter a T-Rex's bones, perhaps even killing the fearsome carnivore.

Ankylosaurus was definitely a dinosaur that could kill a T-Rex.


Triceratops

Triceratops

One of the greatest rivalries of the Cretaceous was Triceratops vs.Tyrannosaurus rexTriceratops (trike for short) was proof that herbivores were no pushovers. This enormous dinosaur could weigh more than two elephants, and its imposing horns would have have filled the nightmares of many would-be predators. A foot wide at their base, the horns tapered into mean points that could skewer a T-Rex.

The Triceratops boasted a colossal skull and sported a huge frill of protective, solid bone topped with hornlets. From the tip of its beak to the spiked rim of its frill, a trike's head could reach ten feet long and weigh a cool ton. This entire gargantuan skull was attached to the body via a ball joint, allowing the Triceratops to swivel its head around with remarkable speed, bringing his horns to bear on his enemies.

A T-Rex who attacked a Triceratops was taking a big risk. The battle could go either way. The T-Rex might emerge victorious and enjoy a feast, but just as likely, the hunted would become the hunter. With a powerful build and deadly horns, Triceratops was another dinosaur that could kill a T-Rex.


Giganotosaurus

Giganotosaurus

T-Rex is often called King of the Dinosaurs. But when it comes to size, he had a challenger. Giganotosaurus was among the largest carnivores to ever walk the land. And while we have never found a complete Giganotosaurus skeleton, we know from the fragments we've dug up, that this was a giant. Some scientists believe Giganotosaurus was even larger than T-Rex. Large enough to swallow a human whole, gigas were apex predators in their environment who likely fed on young sauropods.

In this battle of titans, the two foes were evenly matched. On a good day, the giant, powerful Giganotosaurus could definitely kill a T-rex.


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Spinosaurus

Spinosaurus

A dweller of swamps and shallow water, Spinosaurus was among the largest carnivorous dinosaurs. It was lighter than a T-rex but longer. From nostrils to tail tip, it was as long as a sperm whale, and far meaner than Ahab's nemesis. The dinosaur had a snout like a crocodile, long and full of nasty teeth which were smaller than those of a T-Rex, but more plentiful. The skull was enormous—longer than a man was tall— and while the carnivore walked on two legs like a T-Rex, unlike a T-Rex it had long arms tipped with terrible claws.

Spinosaurus also boasted a unique feature: rows of spikes rose along its back. Scaly skin stretched between these spines, forming a sail likely used to intimidate rivals and attract mates.

Leaping out of the water, snapping at the T-rex like a crocodile from hell, the Spinosaurus could very possibly emerge victorious.


Dreadnoughtus

Dreadnoughtus

Sauropods—herbivores with long necks—were the largest dinosaurs that ever lived. There were many sauropod species, the most famous of which was the Brontosaurus. The Brontosaurus however, was not the largest. Bigger even than the Brontosaurus was the titan Dreadnoughtus.

Their name means "fear nothing." They made Brontosaurs seem puny. Longer than blue whales, a human would stand shorter than their knees. Dreadnoughtus was so titanic it was essentially predator proof. This dinosaur was a herbivore, but like fellow herbivoreTriceratops, it was no pushover. Its powerful legs could kick and crush with ease. Its tail could whip through the air, pulverizing its enemies. It was ten times the size of a T-Rex, and it could easily kill one.


What do you think? Do you agree that these formidable five dinosaurs could kill a T-Rex? Do you know any other dinosaurs that could defeat the king? Let us know in the comments.

And then be sure to pick up Daniel Arenson's latest dino-riffic release, Mintari. Available now in all formats, including the audiobook with a full cast narration.

Get A World of Dinosaurs (Mintari Book 1) on eBook and audiobook.

Ten Weird Dinosaurs

Dinosaurs. They may be prehistoric. But they’re a big part of science fiction too. In 1993, Jurassic Park made dinosaurs sci-fi stars. But Crichton & Spielberg weren’t the first to place dinosaurs into science fiction stories. As far back as 1912, Arthur Conan Doyle published his science fiction novel The Lost World, starring dinosaurs. These giant animals have battled King Kong, rampaged across Tokyo, and left deep footprints across the genre.

Everyone knows the famous dinosaurs. T-Rex. Triceratops. Brontosaurus. Show pictures of them to a kindergartener, and odds are he or she can name them. But what about the lesser-known dinosaurs? The obscure ones? The weirdos?

Here are the ten dinosaurs we believe deserve more love. They’re not as famous as the big names. But they’re just as fascinating. Take a trip with us back in time…


Achillobator

Could these be the most underrated predators in prehistory? Achillobator (meaning "Achilles hero") lived in the Late Cretaceous period 96 million to 89 million years ago. It was a feathered, bipedal carnivore, roughly the size of a horse. Think the raptors from Jurassic Park but bulkier, heavier, and covered with feathers. Like the raptors, Achillobator was armed with a powerful sickle claw on each second toe.

Chasmosaurus

Imagine a Triceratops. Punch two huge holes into its bony frill. And you have a Chasmosaurus. Its name means "opening lizard" due to these two openings in the frill. Skin likely covered these holes, perhaps brightly colored. Some scientists believed Chasmosaurus used its enormous frill to attract mates.

Magyarosaurus

A dwarf sauropod? Could it be true? Was Dino from the Flintstones real? Normally, we think of sauropods – thundering herbivores with long necks – as enormous dinosaurs. And most of them were truly colossal, rivaling whales in size. But not Magyarosaurus. This dwarf sauropod was only about the size of a horse. Tiny. They also sported armored plates on their backs. Scientist believe the Magys were so small because they evolved on an island, isolated from larger dinosaurs – an example of insular dwarfism.


Megaraptor

Imagine the Velociraptors from Jurassic Park. Now imagine them bigger. Much bigger. Twice the size of a polar bear, today’s largest land predator. And you got the Megaraptor. Their claws were a foot long, curved, and sharp, perfect for slashing into the flesh of their prey. They lived in Argentina during the Late Cretaceous.

Quetzalcoatlus

Meet the tyrant of prehistoric flyers. If T-Rex ruled the land, and the mighty Mosasaur ruled the sea, surely Quetzalcoatlus ruled the sky. This was an enormous animal (technically a pterosaur, not a dinosaur, but we love it so much we’ll still include it here). On land, it stood as tall as a giraffe, impressive enough. But when it unfurled its wings, Quetzalcoatlus revealed its true size. Its wingspan was nearly forty feet wide. This flying reptile was the size of a small airplane.

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Sinraptor

Few dinosaurs of the Jurassic era inspired as much terror as the Sinraptor. Ten feet tall. Thirty feet long. Curved teeth designed to inflict maximum damage. Think a T-Rex, just a tad smaller and from China. The Sinraptors must have terrorized their environment, feeding on herbivores like Stegosaurus.


Supersaurus

Behold the Supersaurus! The largest dinosaur to ever roam the world! Well, maybe. There is an ongoing debate about who the biggest dino was. Do we measure by height? Length? Weight? What about dinos with incomplete skeletons, whose size we can only estimate? Well, one thing is certain. Supersaurus was a true behemoth, worthy of its name. It was a type of sauropod (long-necked dino) who lived in North America. It reached over a hundred feet in length—that’s longer than a blue whale. And it weighed as much as ten to twenty elephants. That’s big. So big it could stomp on a T-Rex without breaking a sweat. In fact, Supersaurus was so enormous it was probably predator-proof. To grow so big, it ate a lot. To conserve energy, Supersaurus might have planted its feet firmly on the ground, then moved its neck from side to side like a vacuum cleaner, hoovering up vegetation.


Therizinosaurus

The Edward Scissorhands of dinosaurs?  Therizinosaurus sported the longest claws nature ever produced. They grew 3-4 feet long, a world record. Truly the fingernails from hell. But despite essentially growing swords from its hands, Therizinosaurus was not a predator. Paleontologists believe it used its claws for grabbing vegetation. Possibly, the claws were also used for self-defence against predators.


Titanoboa

While technically not a dinosaur, the Titanoboa was a true terror of prehistory. These enormous snakes lived in South America, dwarfing even the mightiest python alive today. A Titanoboa was so large it could swallow alligators for breakfast. A human would be just a snack. The Titanoboa was so enormous it could possibly defeat even a T-Rex (we’ll never know, since these two giants lived during different eras).


Tupandactylus imperator

The imperator was arguably the showiest animal until the peacock. A type of pterosaur, the imperator sported an enormous crest. It looked like a sail on its head. These gaudy crests were likely colorful, used to attract mates and signal to other imperators. With a wingspan of thirteen feet, Tupandactylus imperator was a big flyer, able to glide for enormous distances, even crossing oceans.


We hope you enjoyed meeting these dinos. Know any other weird or obscure dinos? Post about them in the comments!

Hear, O Earth! (A Prayer for Earthrise Book 1) Chapter 1

We have something extra special for you today! As you may know, this September Daniel Arenson will be transporting us back to the Earthrise universe in a new series. 

A Prayer for Earthrise kicks off with Hear, O Earthan adventurous and courageous tale you absolutely will not want to miss.

Today, we are thrilled to have the privilege of sharing a sneak peak of this exciting new book—the entire first chapter, in fact—right here on the blog. Read on and prepare to get pumped for this release!.


Chapter One

A Light in the Void

A terror lurked under the mountain, a creature of tentacles and wrath. He desired the souls of little girls, and tonight Mia would sate his appetite.

"I must be brave, I must be brave," she mumbled to herself like a chant. "I must be brave."

She had been locked in this cell for days. Maybe weeks. Purifying herself. Awaiting her great sacrifice. Time flowed strangely here. There was no window. No light. Nothing but stone. A little cube carved out from the rock, three steps across, that was all, and the ceiling was so low Mia could reach up and feel the mold. A tomb. Every once in a while, a hatch clanked open near the floor. Dim light glowed. Somebody slid in a bowl of porridge, a cup of tea, and a fresh chamber pot. Mia never saw their faces, only hands gloved in white. And then the hatch would close. The light would die.

Did they come once a day? Twice? Three times? She didn't know. The food was always the same. A bowl of gruel. The tea was bitter and lukewarm. But they told Mia that beyond the void, she would feed on honeydew and the nectar of the gods. That she would praise the voidminds with the other honorable girls. That with her purity, she would bring another year of peace to Hypnos. Another year of harvest that did not mutate, clean water that did not burn the gut, and no radiation from the sky.

"It's an honor," her mother had told her. "Our family is truly blessed."

Yet as the voidgazers had led Mia to this cell, Mother had cried.

Mia was only nine years old, but she understood many things. She was good at slinking through shadows, hiding in corners, and eavesdropping. The adults joked that she had antennae on her head, that she picked up everything. She heard that Mother was dying the slow death of the sun. The same radiation had killed Father last year. The poison came from the sky, mutated crops, and changed those who played outside the domes. Mia remembered how Father had wilted, shrinking until he was skin and bones, and as his body withered, the cancer inside him grew. A cancer was a creature from the sun. An alien that infected your body and spread out tentacles. It drank the poison in the rain, and it ate your flesh.

The wise ones often chose orphans for the sacrifice. Why sacrifice a girl who had parents to love her? The creature under the mountain demanded a little girl, but he didn't care which little girl. So long as she was young. So long as she could worship him, travel with him to a land of honeydew and nectar. A land where the sun did not burn, where no cancer grew, where she could praise him under the blue sky. When Mia learned her mother was dying, she had known what that meant.

She was alone. She was loved by none. She was a sacrifice. Honored. Blessed. So why was she now crying?

A key rattled in the door. Mia pushed her empty dishes and full chamber pot toward the hatch, waiting for them to be replaced. But this time it wasn't the little hatch that opened. It was the entire stone door.

Light flooded the cell. Mia squinted and covered her eyes. It burned.

Fabric rustled. The scent of rose petals wafted into the cell, mingling with the stench of the chamber pot. A masculine voice spoke, as deep as this pit, as soft and soothing as velvet.

"It's been sixteen days, little one. Like the sixteen arms of Mezmeron. Have you been praying to our lord?"

Mia blinked in the light. A gangly man stood in the doorway, hooded and robed in black velvet. A bronze talisman hung from his steel necklace. The amulet was shaped like tentacles gripping a planet, an eye in its center. She recognized that symbol. A Planetary Embrace. And she recognized the man who wore it. Erafel. Worshipper of the Light in the Void.

"Mia." His voice remained soft. "Did your tongue wilt?"

"I prayed," she whispered. "I prayed so hard."

Erafel knelt before her and pulled back his hood, revealing a face so gaunt it was downright cadaverous. The cheekbones shoved against the skin, and the eyes peered from shadowy sockets. Old radiation scars ran down his left cheek. He had no eyebrows, no eyelashes. The sun had burned them away. But he still had long, gray hair that hung from his scalp like molted snakeskin. A powerful voidgazer, he spent too much time staring into the void, and that changed a man. He reached out a pale hand tipped with fingers that were too long. They had more joints and bones than fingers should, and their nails were sharp. Nails like claws. Each of those knobby fingers was the length of Mia's entire arm. They reminded her of spider legs. The terrible digits caressed her hair.

"Call me Father," he said. "You're a holy one now. You may address me as a voidgazer does."

She trembled under his touch. His fingertips were searing hot. Or were they icy cold? Mia could not tell. His nails scraped across her skin, raising steam. Or was it frost? Extreme heat and cold felt the same, and so did her terror and worship.

"Yes, Father," she whispered. "I prayed and I'm pure."

Fool! she told herself. Why did you say that?

She should say the opposite! Say she had not prayed. That she was not pure. Maybe they would let her go. Maybe they would find another orphan. Another unwanted girl to feed to the beast, one more pious than little Mia, the tinsmith's daughter. Why should it be her?

But where would she go? An impure girl. An orphan. Scars on her arms. She was already infected with sunlight. Already tainted, already changing. They would send her into the dark mines to toil for uranium, or worse—banish her into the sunlit wilderness outside the domes. She had seen what happened to those exiled. Seen the creatures they became, crawling in the dirt, pawing at the domes, begging with toothless mouths for scraps. Sometimes they ate one another. Sometimes they ate themselves.

"I must be brave," she whispered her chant. "I must be brave, I must be brave."

She thought of the realm beyond the void. A realm of honeydew and nectar and sunlight that did not burn. Her scars would heal and nothing would hurt, and at night stars would fill the sky.

Erafel took her hand in his. His strange four-jointed fingers coiled around her hand like serpents, trapping her. He led her down a stone corridor. The cell had been dark, but the corridor was bright and blinding.

Her purification was not complete. A staircase took them deep under the temple to a small white chamber. A pool of black water, not much larger than a bathtub, took up most of the floor space. A kosab—a pool for ritualistic purification, its water taken from the deepest underground wells. Erafel left Mia there in the care of nuns. The women, robed and masked, bathed Mia, scrubbing her until she was raw and red. When she was clean, they soothed her skin with herbs, and they anointed her with rose-petal oil.

"You are holy," they whispered, crimson tears in their eyes.

The nuns draped her with the finest robes of blood-red silk, painted her lips with crushed berries, and adorned her with precious metals and rubies. All the while, the nuns chanted and prayed, and the light reflected in their amulets.

Mia chanted with them. "Praise Mezmeron, who came from the void. Praise Ninazu who still tarries. Praise Ereshkigal in the center of creation. Praise the Light in the Void."

Over and over, they repeated those words. The words of the gods. Of the beings who came from beyond. Soon Mia would join them in their realm.

Finally she was purified, robed, perfumed, and ready for her journey. Erafel had waited outside the kosab chamber. Now he led Mia down a wider hall, swinging a bronze censer shaped like a squid. Mia's father had forged it before his death. He used to make such beautiful things. She followed Erafel, intoxicated by the scent of smoke, and the nuns walked at her sides, hands pressed together in silent prayer. They approached a heavy stone door, and for a moment, Mia thought they would lead her into another cell. That she was still impure. That she required another sixteen days in the darkness. But when Erafel opened the door, he revealed the sky.

The sun crackled, white and swirling like a cauldron of molten metal. Nemesis was a small sun. They said she was smaller than the sun back at Earth. But Mia had never been to Earth. All she knew was this cruel white light that burned her. This sun was small but too close, too bright, too vengeful. Even the dome around the colony did not always protect one from the curse of Nemesis. Planet Hypnos suffered punishing daylight to view the darkest of nights.

Erafel led her onto a balcony drenched in light. Mia's legs trembled, but she followed him bravely. She would be brave. She had promised. From up here, she could see most of the colony. A few streets of basalt cobblestones. Apartment blocks. The school and fire station. Several thousand lived here, and not all of them voidgazers. Some came here to worship but others merely to escape, hiding from Earth, hiding from their past, hiding from themselves in the blinding light and impossible darkness. Mia's parents had claimed this was a utopia. That the work they did here would bring about the Final Blessing. But to Mia, Hypnos was simply home, the only world she had ever known.

A crowd had gathered. It seemed the entire colony had come. They stared up at the balcony, silent. Not a cough, not even a murmur sounded. Even the strange birds who lived within the dome, naked things with black skin and faces that seemed oddly human, silenced their relentless caws. Uranium miners stared with jaundiced eyes, their skin charred. A woman shed a red tear. Children gazed with wide eyes, clutching the hands of their mothers. Mia knew those children. She knew them all. Her friends. Now they only stared at her as if staring at a wretched one. Were they jealous? Mother had said they would be. Mia looked across the crowd, seeking Mother, but she was not there. She was still bedridden most likely. Still sick from the sun. Maybe dead already.

Mia gazed at that sun. Nemesis crackled above the horizon like a blazing eye, staring like everyone else. Mia squinted, trying to see past the sunlight to the desert, the cursed lands beyond the domes. She wondered if the wretched ones crawled there. She wondered if her mother had been banished among them.

Erafel spoke to the crowd, his voice sudden and startling and shockingly loud.

"People of Hypnos! It is the summer solstice. For the past year, Mezmeron had blessed us. Our crops have grown strong. Fifteen of our babies were born with no deformities. Three acolytes spoke their vows, donned their robes, and became sworn voidgazers. Mezmeron has blessed us for our worship. And the time draws near when Ninazu will rise. The day will come, my children, when Mezmeron will call forth his father. And we will be the first to feel his blessings. Hail the Void!"

"Hail the Void, hail the Void!" the crowd chanted.

"A year ago," Erafel continued, "we sent a girl to Mezmeron so that she might teach him our ways. Now our lord demands a new sacrifice. We will gift him a daughter of Eve, and in return, he will bless us for another year."

A child in the crowd suddenly broke free from his mother. The boy ran closer to the balcony. Mia recognized him. Berl, the son of a blind seamstress. A friend. Perhaps her only friend.

"How many more years of this?" the boy demanded. "My cousin was chosen two years ago. And still Ninazu has not come!"

The crowd muttered. The boy's blind mother cuffed him. Whispers of "blasphemy!" sounded through the crowd.

Erafel raised his hands in a placating gesture, though with the length of his fingers, it was hardly soothing.

"Do not punish the boy! From the mouths of children come the purest questions." Erafel looked down from the balcony at the boy. "We cannot know the mind of Mezmeron. We don't know why he waits to summon his father. Only when he deems us worthy will he call forth the Prince of the Void. Until then, we must serve and worship. Every child we give brings us closer to the Day of Blessing." He raised his hands higher, and ardor filled his eyes. "Let the procession begin!"

* * * * *

They took Mia down to the courtyard and placed her upon a palanquin. Four burly voidgazers, robed and hooded in black, lifted the corners of the palanquin and carried her through the crowd. People stepped forward, showering Mia with gifts. They gave her strings of emeralds and diamonds. They placed blessed herbs between her feet. One woman gifted her goldfish with real golden scales and diamonds for eyes. The little jewels moved their platinum tails and chinked. Soon the palanquin was heavy with treasures, and gems and precious metals shone across Mia. A hundred bracelets, rings, and necklaces adorned her like a cocoon, and she imagined that she shone as brightly as the sun.

The voidgazers carried her through the colony until they reached the doorway in the dome. There they must wait. The sun still shone, bathing the land outside with radiation. The dome was transparent, letting in visible light but blocking the cancerous demons who rode the sunbeams. The procession did not wait long. Sunsets were quick on Hypnos, and as Mia watched from her palanquin, Nemesis sank below the hills, gilding their crests, until even that glow faded and darkness cloaked the land.

Night had fallen, and they gazed into the void.

Hypnos was not like Earth. Was not like any other planet. Mia had seen paintings and photos of Earth's night sky. She had admired a darkness strewn with countless stars. But there were no stars in Hypnos's night. Their only star lurked below the mountains now. The night was black and bare, for Hypnos floated on the very edge of the galaxy. Their sun was the last among a hundred billion. The rest of the galaxy swirled behind them. Ahead lay only the emptiness.

There were other galaxies out there. In an hour, Andromeda would rise from behind the mountains, a single, dim light in the sky. The other galaxies were too far to see with the naked eye. The scientists said that billions of galaxies filled the universe, but they were lying. Looking from here, Mia could see none. Just blackness. Just a void.

But the void stared back. For the void was not empty. Intelligent beings lurked in that darkness, and the people of Hypnos gazed upon them and worshipped their power. Some called them voidminds. Others called them the Old Ones. Little was known about them. Mankind had only ever met one. But soon the rest would come. Soon the blessings would spill forth and lights would fill the night sky.

With the sun gone, they opened the door in the dome, and the procession continued into the wilderness. Mia sat on her palanquin, her jewels chinking. Even at night, it was not safe to spend too much time outside. The radiation lingered, clinging to the rocks and sand. But once a year on the solstice, this journey was undertaken. Any burns were seen as signs of devotion, any sickness a purification.

They walked through the night. Erafel led the procession, swinging his censer, while his acolytes followed, carrying the palanquin, dark robes swishing. The air was thinner out here, breathable but wearying, leaving one always out of breath. Most of the colonists remained inside the dome, daring not face the punishing surface. Sometimes adventurers, emboldened with wine and dreams of glory, dared venture outdoors after sunset. Even they, after taking a few paces, retreated into the comfort of the dome. They mumbled about the thin air. About the poison clinging to the rocks, glittering like crystals even in the darkness. About the wretched who lurked here. But Mia suspected that it was not those things that frightened them.

It was the sky. A sky that was pitch-black. A starless sky. The sky at the edge of the galaxy. Looking upward, that sky disoriented the mind. It felt less like a sky above and more like a void below, a pit one could fall into and tumble forever. The human mind could not grasp such vastness. Such emptiness.

But it's not empty, Mia thought. A shiver ran through her, clinking her gifts of jewels.

They were out there. The minds in the dark. And they saw her.

Onward the procession marched. Erafel chanted, leading their way, and the nuns trailed behind, raising their voices in song. Mia sat still, the bracelets and necklaces weighing her down, and she imagined that their weight kept her from falling upward into the chasm in the sky. Was it true that one could see the stars from Earth? Sometimes she thought that the stars were just a legend, just a tale told to children so that they would not fear the emptiness in the sky.

The dome became smaller and smaller behind them, the lights of its lanterns fading. No vegetation grew in the wilderness. No water flowed. The only animals were the strange dark birds that rose at night and the snakes that slithered underfoot. The days burned, but the night froze the flesh, and Mia could not stop shivering. The footprints from last year's procession still marked the ground, as did footprints from many years past. The gray soil was thick and hard and held a grudge against those who marred it.

Movement caught Mia's eye. She glanced to the left, jewels chinking. She could not see far. The dome was distant behind her now, its glow but the faintest haze, and while the voidgazers held lamps, their light did not shine far. Mia squinted, studying the shadows. Just a trick of her eye? A figment of her mind?

No! There! Movement again. A scurrying shadow. A twisted, bony form like a spider the size of a man. It vanished into the murk. The procession kept marching. The voidgazers kept praying. Had nobody seen it?

Then—there again! Another figure in the night, wretched and knobby, scurrying across the soil. Then another farther away, and more to her right. A creature raised a bulbous head, and the lamplight shone in three lambent eyes. A slit opened in a leathery head, baring teeth like hooks, and a terrible screech cut the night.

Mia cowered. But the voidgazers kept walking, lanterns held high.

"Fear not the sinners who cower in darkness!" Erafel cried. "The Light in the Void will banish them. The Day of Blessing approaches. Be gone, wretched ones!"

All around they scampered and scurried and screeched. Sometimes they almost seemed human, but when the lamplight shone on them, it revealed deformed bodies, legs that dragged like tails, arms that coiled like the roots of trees, rib cages that thrust out from the skin, heads that melted into torsos. Mia knew who those were. Colonists banished from the dome, subjecting them to the punishing sunlight. Slowly the light changed them. Mia watched as one of the wretched leaped onto another, sank teeth into flesh, and devoured his victim alive. A few crawled toward the holy procession, reaching out hands without fingers, opening mouths without teeth, begging. They could not speak with words, but in their mournful cries, Mia could hear the despair.

Let us back in! Make us human again!

Mia's parents used to frighten her with stories of the wretched ones. Behave or they'll crawl from under your bed! Sometimes, when she was bad, they would threaten to send Mia into the wilderness, to let the sunlight peel back her humanity and reshape her. She covered her eyes, unable to bear the miserable beings.

The oracles are like them, Mia thought. The oracles live in a cave in the wilderness. But they are blessed ones.

A wretched one managed to crawl closer. He had no legs but sported enormous hands to compensate. The fingers were normal, but the palms were the size of dinner plates. With one of those paws, he grabbed a palanquin-bearer. The voidgazer grunted and kicked the poor creature aside. Like a beaten dog, the wretch fled, and the voidgazers walked onward.

As they headed north, the mountains came into view. It was odd. How could Mia see them? It should be impossible. No sun, moon, or stars shone in the sky, and the procession's lamps did not shine far. The mountains seemed to emit their own light. A dark light. A gleaming black like obsidian, standing out against the deeper darkness of the void. A tremble scuttled down Mia's back like a centipede. The mountains seemed alive. Aware. Waiting for her.

"I will be brave," she whispered, voice shaky. "I will be brave."

The procession carried her across the foothills. Time lost all meaning to Mia. It was like being back in her cell. They might have been walking for hours, maybe only moments. Ur Eshuna soared above—the tallest peak in the range. Basalt mountainsides gleamed like the walls of a fortress. The procession approached a cave that gaped open like a mouth, black on black. A cold wind blew from within, scented of salt and decay.

The voidgazers placed the palanquin down. Mia stepped onto the ground, heavy with jewels, bearing her many gifts. Erafel unfurled his long, strange hands, gesturing at the cave.

"He awaits you inside, child," said the tall voidgazer. "Go and be with Mezmeron. The sun will soon rise. If you run it will burn you. But in the sixteen arms of Mezmeron, you will find eternal blessings. Hail the Void!"

"Hail the Void!" the acolytes chanted.

Mia mouthed the words, but she was too timid to speak them aloud. The robed figures stood, watching her, waiting. She took a timid step toward the cave. Erafel gestured again, pointing a finger the length of his forearm into the darkness.

"Can I have a lamp?" she said. "I'm scared of the dark."

The voidgazers glanced at one another, and several muttered curses. But Erafel smiled. A fatherly smile. He gave her his own lantern. The ironwork was shaped like a squid with sixteen tentacles, their tips glowing with lights. Like the censer—another work of Mia's father. It was heavy, but Mia did not drop it. She had promised her mother to be brave, yet she felt so cowardly.

The memory of the wretched ones spurred her onward. She did not want to be out here when the sun rose. With a shaky breath, she stepped into the cave, leaving her world forever behind.

* * * * *

Her lamplight illuminated rough stone. Nothing but darkness seemed to loom ahead.

Mia glanced behind her and saw the voidgazers retreating over the plains, heading back to the colony. The dome seemed so distant from here, a hemisphere of light and warmth. The lanterns of the voidgazers trailed across the desert, leaving Mia here.

A sound came from the depths of the cave. A deep breathing. A murmur. It might have merely been the wind, but Mia imagined words in its warm flow.

Come to me …

Mia glanced at the plains, at the lights retreating toward the dome, toward the only home she had ever known. A place that was no longer her home. A place with a dying mother. A place with no room for an orphan girl. She closed her eyes, memories rising in her. Memories of running around the dome as the sunlight filtered through the glass. Memories of laughing in her mother's arms. Memories of books that showed her the stars.

That place was gone now. That home was no more. That light would never more shine upon her. All that waited was the shadow.

A tear ran down her cheek. In the arms of her lord, she would be blessed. She would be loved.

She turned away from the desert and the dome, raised her chin, wiped her tears, and walked deeper into the cave.

The first step was the hardest. The first step was a war. But the next step was easier. And the third step easier still. Soon she was walking confidently, holding her father's lamp. The light didn't shine far. She could only see a few steps ahead. But she did not turn back from the waiting void, and the wind from the heart of the mountain whispered in her ears.

Come to me …

The path took her deeper into the mountain, sloping ever downward. Around her feet, she saw the signs of those who had come before her. The footprints of little girls. Fallen golden coins and lost jewels. The stains of teardrops and the echoes of whispered prayers. She was not alone.

Come to me.

She must have walked the distance of the desert before she reached the heart of the mountain. The tunnel opened into a grand cavern alight with crystals. The chamber was so large every colonist on Hypnos could probably fit inside. A lake of gleaming black water lay still, the surface reflecting the crystals that shone in stone walls. Mia fell to her knees, tears flowing, for this was a place of great beauty. Here were the halls of the gods.

The footprints of the girls—those innocent souls who had come before her—led to the edge of the pool. Mia followed them, the crystals glinting above and around her. She felt so small here. So insignificant. So blessed. Adorned with precious metals and gemstones, she strode to the edge of the lake, and she laid her gifts of jewels and herbs upon the shore.

"I'm ready," she whispered. "I'm brave."

The water rippled. From the dark lake, he arose.

Mia gaped, tears in her eyes.

He was beautiful. He was the size of a starship. He was made of stars.

His tentacles rose from the water, translucent and gleaming. Through skin like glass, Mia saw veins pulsing with blue blood, thousands of bone segments coiling like spines, and oyster-colored muscles that throbbed and pulsed like trapped jellyfish. Jewels floated inside him, sapphires and emeralds and flecks of precious metal trapped inside his flesh. They reminded Mia of pieces of fruit inside jelly. Like graceful dancers, the tentacles rose toward the ceiling and explored the walls, curious, feeling, sensing, smelling. Suction cups lined them, each as large as Mia's head. She knew he was terrifying. She knew he was monstrous. But she could only fall to her knees in awe.

"Beautiful," she whispered. "Mezmeron, you are beautiful."

The tentacles swayed gently like anemones. If he had a head, if he had a face, they were hidden underwater. His voice spoke in her mind, gentle and soothing like midnight waves.

Come closer. Come to me.

She stepped closer, growing braver with every step, and jewels lay beneath her feet, old gifts to this god, sent here with the girls of summers past. When her toes touched the water, Mia gasped. It was cold. Shockingly cold. But she did not turn back. She stepped deeper until the water rose above her ankles.

A tentacle coiled up before her, several times her height, swaying like a serpent rising from a basket. The jewels floated inside, gemstones and brooches and golden coins. Blue veins gripped the treasures like throbbing roots, like venomous ivy, like the bruised fingers of slender dead things. Arteries flowed like rivers, tracing the serpentine shape of the tentacle. Translucent blobs traveled up and down these highways, each blob the size of a girl's heart, and within them squirmed clusters of milky beads. Were they cells? Were they parasites? Mia did not know. The vision mesmerized her. The tentacle swayed closer, looming above her, and the tip descended to form a roof over her head. The suction cups turned toward Mia.

And then she saw what they were. Not suction cups at all.

They were faces. Faces of girls growing from the tentacle.

She recognized some of them. There was Jenna, the baker's daughter. And beside her was Ellie, a waif who used to beg outside city hall. Farther up—Sophie, wise beyond her years, who always corrected her teachers, whose father died in the mines. Lost girls. Unwanted girls. Sacrifices from years gone by.

They had no bodies. Mia saw only withered nerves growing from their heads like cables, coiling around the bones and arteries inside the tentacle. Yet the girls lived. Their eyes peered. Their mouths moved silently. The gifts they had brought—gemstones and coins and jewels—floated around them, trapped inside the translucent flesh.

Mia turned to run. But the tentacle was faster. Like a chameleon's tongue, it grabbed her and lifted her. Her feet floated on air, and golden coins tumbled from her pockets and sank into the water. The faces looked at her, eyes wide, mouths screaming silently, as the flesh of the tentacle parted. Veins reached out and grabbed Mia like the hands of the undead, and Mezmeron welcomed her into his strange realm.

The flesh was warm, soft, closing around her until only her face remained free, gaping at the hall of stone. The other tentacles rose around her, full of peering faces like souls trapped behind windows, crying out but voiceless. There was no pain at first. And then the pain was everything. And when the tentacle coiled around itself, Mia saw her body wilt and decay. The skin and muscle melted from her bones, and then the bones themselves withered and withered until they were like white twigs … and were gone. She remained but a face, trapped with the others, her nerves joining the network that twisted inside.

Her eyes filled with tears. Her mouth widened but she could not scream, could not breathe.

But she saw. Her mind joined the minds of the others. She was one with the lost girls. She was one with the great mind in the pool below, and she gazed upon a light in the void. She saw the Great Shoal. She saw the gods.

Mezmeron was just one of billions. He was just one servant of the great mind in the darkness. And his voice whispered. Not to her but to the beings beyond the black.

Come to me …

A tear flowed down Mia's cheek, and for the first time in her life, she saw the stars.


Thank you for reading the first chapter of Hear, O Earth! If you enjoyed this chapter, please pre-order the novel.

Megastructures

We humans can build some big stuff. The Great Wall of China. The Burj Khalifa. The Hoover Dam. But for truly big structures – megastructures, if you will – we must turn to science fiction.

Megastructures in science fiction dwarf anything we’ve built on Earth. We might be able to build some of these theoretical structures in the future. Some might already exist out there in the galaxy, built by alien civilizations.

Let’s take a look at some science fiction megastructures.


ORBITAL RING

An orbital ring is a theoretical, ring-shaped structure that orbits around a central point. The inner surface of the ring provides living area. If the ring is large enough, living space is quite ample, greatly surpassing the surface area of Earth. Cities, forests, fields, lakes—they can all fit on the inner surface of the ring.

Meanwhile, the ring will spin, generating centrifugal force. This will create artificial gravity. The centrifugal force will also negate the need for a “roof.” By spinning, the ring can maintain an atmosphere. The air will “cling” to the ring like water clings to the bottom of a spinning bucket.

Orbital rings were popularized by Larry Niven’s seminal novel Ringworld. Other science fiction authors have included orbital rings in their universes. Banks Orbitals, a smaller version of Ringworlds, feature prominently in the Culture series. Bishop Rings, proposed by Forrest Bishop of the Institute of Atomic-Scale Engineering, are small orbitals with enough living space for millions of people.


O’NEILL CYLINDER

O'Neill Cylinders are theoretical “tube” habitats. Space colonists would live on the inner surface of the cylinder. The entire structure would spin, generating centrifugal force and thereby providing artificial gravity.

The interior of an O’Neill cylinder would be curved. Standing inside one, you would see the horizons curve upward. Far above, you would see colonists on the “roof,” walking upside down. If the cylinder’s radius were large enough, however, you would barely notice the curve. The surface would seem flat. The inside of the cylinder could support fields, gardens, rivers, and cities.

A famous O’Neill cylinder in science fiction is Rama, featured in Arthur C. Clark’s novel Rendezvous with Rama.


TOPOPOLIS

A topopolis is a cross between an Orbital Ring and an O’Neill Cylinder. In a sense, it’s an extremely long O’Neill cylinder which loops around a star. It can even loop around several times, forming a torus knot.

A topopolis would require massive amounts of matter to construct. Its total mass could equal or even eclipse the mass of a planet. But its inner surface area would be far larger than that of a planet, providing enough living space for trillions of humans (or aliens).

A topopolis appears in the 2008 novel Matter by Iain M. Banks. The 2020 novel Heaven’s River by Dennis E. Taylor prominently features a topopolis that is home to sentient, otter-like aliens.


ALDERSON DISK

An Alderson disk (named after its originator, Dan Alderson) is a massive artificial disk circling a star. It looks like a giant record, with the star fitting in the central hole. The disk will orbit the star, absorbing its energy. Living space can exist on either side of the disk.

The disk would stretch across a solar system like a solid ecliptic plane. Such a structure would include more mass than in the star it orbits, requiring matter collected from other solar systems.

An Alderson disk appears in Ian McDonald's novel Empress of the Sun.


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WORMHOLE

A wormhole is a theoretical tunnel connecting two places in spacetime, allowing for faster-than-light travel. Starships could travel down the wormhole, crossing vast distances in short periods of time. In science fiction, wormholes serve a similar function to warp drive, allowing characters to travel through interstellar space.

Wormholes are, in a sense, a highway system between the stars.


DYSON SPHERE

A Dyson sphere is a megastructure designed to capture the full energy output of a star. It is a solid, artificial sphere the size of a solar system, completely enclosing a star. Solar panels (or analogous technology) along the inner surface capture the sun’s released energy.

The inner surface can also provide living space. The surface area will be millions of times larger than any planet offers.

A Dyson sphere would allow a civilization to fully harvest the energy of its star. Normally, only a very small percentage of a star’s solar energy reaches any particular planet. The rest is lost. A Dyson sphere would solve that problem. A sufficiently advanced, spacefaring civilization might construct Dyson spheres to meet its massive energy needs.

A spherical structure around a star was first proposed by Olaf Stapledon in his 1937 novel Star Maker. Freeman Dyson popularized the concept in his 1960 paper "Search for Artificial Stellar Sources of Infrared Radiation." Dyson proposed that alien civilizations might build such spheres, and that in the search for alien life, we should attempt to find them.

A Dyson swarm is an alternate version of a Dyson sphere, involving a large number of smaller structures (e.g. satellites with solar panels) that swarm around a star.


MATRIOSHKA BRAIN

A Matrioshka brain was proposed by Robert J. Bradbury in the anthology Year Million: Science at the Far Edge of Knowledge. The name is based on Matryoshka dolls, also known as Russian nesting dolls.

The Matryoshka is a megastructure on a truly enormous scale. It's comprised of nested Dyson spheres. The innermost sphere surrounds a star, absorbing its energy, which powers a central computer. This inner sphere releases huge amounts of waste heat. An enclosing sphere absorbs the waste energy, using it for its own computational purposes. It releases its own waste heat to the next layer, and so on. Sphere within sphere. The innermost sphere would run at nearly the temperature of the enclosed star, while each enclosing sphere would be a little cooler.


Know any other megastructures? Mention them in the comments!

Top Sci-Fi Songs

We normally talk about books and movies here at Discover Sci-Fi. But today we’d like to bring you something a little different -- science fiction music. Specifically, rock music!

We put together a list of our twelve favorite rock songs with sci-fi themes. So crank up the volume. Let’s geek out and rock out.


12“Rocket Man” by Elton John

Elton John's 1972 song was inspired by the short story "The Rocket Man" by Ray Bradbury. The song describes an astronaut flying to Mars and missing his family back home. The song is also infamous for William Shatner's disastrous cover at the 5th Saturn Awards Ceremony.


11. “Tonight We Ride” by Unleash the Archers

The music video for “Tonight We Ride” was clearly inspired by Mad Max. It makes us want to watch “Fury Road” again. The tone here is post-apocalyptic or dystopian, making it a little different from the other songs on our list, but we think this song is just too cool to leave out.


10. “Science Fiction Double Feature” from The Rocky Horror Picture Show

This song is a loving homage to old sci-fi, referencing many 1950s sci-fi and horror films. The song opens both the Rocky Horror stage production and film. In the film, the song is sung by a disembodied mouth, floating over a black background.


9. “Space Truckin’” by Deep Purple

Released in 1972, “Space Truckin’” tells a simple story about traveling the galaxy, rocking on different planets. The lyrics are perhaps simple, but the song has an addictive beat and has become a rock classic.

The song also has a sad story. It was a favorite of astronaut Kalpana Chawla, who played it regularly aboard the Space Shuttle Columbia, and traded emails with the band members from space. Tragically, Chawla and the rest of the crew were killed when the Columbia crashed. To honor her, Deep Purple wrote their song "Contact Lost.”


8. “Flash” by Queen

Written by guitarist Brian May, "Flash" is the theme song of the 1980 film Flash Gordon. Queen wrote the soundtrack to the movie, helping it become a cult favorite with fans of science fiction. Arguably, Queen’s soundtrack is more famous than the movie itself.


7. “Mr. Roboto” by Styx

"Mr. Roboto" by rock band Styx tells of a future where a fascist government has outlawed rock music. The story's protagonist, Kilroy, is a rock star who was placed in a futuristic prison for "rock and roll misfits" by the anti-rock-and-roll group the Majority for Musical Morality. Mr. Roboto, the eponymous robot, works in the prison, doing menial tasks. Kilroy escapes the prison by overpowering Roboto and hiding inside its metal body.

The lyric "Domo arigato, Mr. Roboto" has become a catchphrase.


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6. “Supernova” by Within Temptation

The music video for “Supernova,” by Dutch band Within Temptation, looks like a big-budget science fiction movie. In the video, the band performs the song on a post-apocalyptic landscape while a supernova burns in the sky above.

Their music video for “Raise Your Banner,” from the same album, continues the science fiction theme.


5. Rush – 2112

"2112", a 20-minute-long song by Canadian rockers Rush, tells a dark science fiction tale. The song is set in the city of Megadon in the year 2112. Individualism and creativity are outlawed. A cabal of malevolent priests, who reside in the Temples of Syrinx, control the population. But the true masters are giant computers inside the temple, who command the priests. Music is outlawed in this dark, futuristic world. But one nameless man finds a guitar inside a cave and rediscovers the lost art of music.


4. “Sagan” by Nightwish

Nightwish, a symphonic metal band from Finland, writes many songs about fantasy, poetry, and science. One of their songs, “Sagan,” a tribute to the late Carl Sagan. While primarily known as a scientist, Sagan was also a science fiction author, penning the novel Contact.


3. “The Final Frontier” and “To Tame a Land” by Iron Maiden

For 3rd best sci-fi rock song, we have a tie. Steve Harris, the primary songwriter for Iron Maiden, is a big fantasy and science fiction fan. He wrote an entire album, Seventh Son of a Seventh Son, based on an Orson Scott Card fantasy series. He also regularly includes science fiction and fantasy themes in other albums.

One of our favorite sci-fi songs is “The Final Frontier.” The cinematic movie video, which seems inspired by franchises like Alien, features a battle between a human astronaut and Eddie, the band’s demonic mascot.

Another one of our favorite Iron Maiden songs? “To Tame a Land,” which is based on the groundbreaking science fiction novel Dune.


2. “Iron Man” by Black Sabbath

Almost everyone knows the riff to “Iron Man” by Black Sabbath. Most people think the song is about the comic book character. But the song, which was released in 1970, tells an original science fiction story. The song is about a man who time travels into the future and sees the apocalypse. While returning from the future, a magnetic field turns him into metal. He tries to warn the public, but they fear his new appearance. Mocked and shunned from society, Iron Man plans his revenge on mankind. Thus he himself causes the apocalypse he saw in his vision.


1. “Space Oddity” by David Bowie

Inspired by Stanley Kubrick's 1968 film 2001: A Space Odyssey, David Bowie wrote and released "Space Oddity" in 1969. The song is about the launch into space of Major Tom, a fictional astronaut, and was released during an exciting time for space exploration. The moon landing occurred only several days after the song was released.

In 2013, Canadian astronaut Chris Hadfield performed the song while aboard the International Space Station, creating the first music video shot in space.

Space Oddity is a true classic and our favorite sci-fi rock song.


What do you think of our picks? What are your favorite sci-fi rock songs? Share your thoughts in the comments.


Daniel Arenson is a bookworm, proud geek, and USA Today bestselling author of fantasy and science fiction. His novels have sold over a million copies. He's written over sixty novels in multiple series.

He is best known for Earthrise, the story of Earth struggling to rise after a devastating alien invasion. The Earthrise universe is explored in three series: Earthrise The Original Series, Soldiers of Earthrise, and Children of Earthrise.

In addition to Earthrise, Daniel has written the comedic sci-fi trilogy Alien Hunters.

He's also written several epic fantasy series: Kingdoms of Sand, MothRequiem.

You can follow Daniel on FacebookTwitter and his website.

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